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Actress Marilyn Monroe was born as Norma Jeane Mortensen on June 1, 1926 in Los Angeles, California. During her all-too-brief life, Marilyn Monroe overcame a difficult childhood to become of the world's biggest and most enduring sex symbols. During her career, Monroe's films grossed more than $200 million. Monroe died of a drug overdose on August 5, 1962, at only 36 years old.
Contents
    Synopsis
    Early Life
    Famed Career
    Death and Legacy
Quotes
"Being a sex symbol is a heavy load to carry, especially when one is tired, hurt and bewildered."
– Marilyn Monroe
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Early Life
Marilyn Monroe was born as Norma Jeane Mortensen (later baptized as Norma Jeane Baker) on June 1, 1926, in Los Angeles, California. During her all-too-brief life, Marilyn Monroe overcame a difficult childhood to become of the world's biggest and most enduring sex symbols. She never knew her father, and once thought Clark Gable to be her father—a story repeated often enough for a version of it to gain some currency. However, there's no evidence that Gable ever met or knew Monroe's mother, Gladys, who developed psychiatric problems and was eventually placed in a mental institution. As an adult, Monroe would maintain that one of her earliest memories was of her mother trying to smother her in her crib with a pillow. Monroe had a half-sister, to whom she was not close; they met only a half-dozen times.

Growing up, Monroe spent much of her time in foster care and in an orphanage. In 1937, a family friend and her husband, Grace and Doc Goddard, took care of Monroe for a few years. The Goddards were paid $25 weekly by Monroe's mother to raise her. The couple was deeply religious and followed fundamentalist doctrines; among other prohibited activities, Monroe was not allowed to go to the movies. But when Doc's job was transferred in 1942 to the East Coast, the couple could not afford to bring Monroe with them.

At 7 years old, Monroe returned to a life in foster homes, where she was on several occasions sexually assaulted; she later said that she had been raped when she was 11 years old. But she had one way out—get married. She wed her boyfriend Jimmy Dougherty on June 19, 1942, at the age of 16. By that time, Monroe had dropped out of high school (age 15). A merchant marine, Dougherty was later sent to the South Pacific. Monroe went to work in a munitions factory in Burbank, California, where she was discovered by a photographer. By the time Dougherty returned in 1946, Monroe had a successful career as a model, and had changed her name to Marilyn Monroe in preparation for an acting career. She dreamt of becoming an actress like Jean Harlow and Lana Turner.
Famed Career
Monroe's marriage to Dougherty fizzled out as she focused more on her career. The couple divorced in 1946—the same year that Monroe signed her first movie contract. With the movie contract came a new name and image; she began calling herself "Marilyn Monroe" and dyed her hair blonde. But her acting career didn't really take off until the 1950s. Her small part in John Huston's crime drama The Asphalt Jungle (1950) garnered her a lot of attention. That same year, she impressed audiences and critics alike with her performance as Claudia Caswell in All About Eve
She would soon become one of Hollywood's most famous actresses; though she wasn't initially considered to be star acting material, she later proved her skill by winning various honors and attracting large audiences to her films.
In 1953, Monroe made a star-making turn in Niagara,
Contents
    Synopsis
    Early Life
    Famed Career
    Death and Legacy
starring as a young married woman out to kill her husband with help from her lover. The emerging sex symbol was paired with another bombshell, Jane Russell, for the musical comedy Gentlemen Prefer Blondes (1953). The film was a hit and Monroe continued to find success in a string of light comedic fare, such as How to Marry a Millionaire with Betty Grable and Lauren Bacall, There's No Business like Show Business (1954) with Ethel Merman and Donald O'Connor, and The Seven Year Itch (1955).
With her breathy voice and hourglass figure, Monroe became a much-admired international star, despite her chronic insecurities regarding her acting abilities. Monroe suffered from preperformance anxiety that sometimes made her physically ill and was often the root cause of her legendary tardiness on films sets, which was so extreme that it often infuriated her co-stars and crew. "She would be the greatest if she ran like a watch," director Billy Wilder once said of her. "I have an aunt Minnie who's very punctual, but who would pay to see Aunt Minnie?" Throughout her career, Monroe was signed and released from several contracts with film studios.
Tired of bubbly, dumb blonde roles, Monroe moved to New York City to study acting with Lee Strasberg at the Actors' Studio. She returned to the screen in the dramatic comedy Bus Stop (1956), playing a saloon singer kidnapped by a rancher who has fallen in love with her. She received mostly praise for her performance.
In 1959, Monroe returned to familiar territory with the wildly popular comedy Some Like It Hot, with Jack Lemmon and Tony Curtis. She played Sugar Kane Kowalczyk, a singer who hopes to marry a millionaire in this humorous film, in which Lemmon and Curtis pretend to be women. They are on the run from the mob after witnessing the St. Valentine's Day Massacre and hide out with an all-girl orchestra featuring Monroe. Her work on the film earned her the honor of "Best Actress in a Comedy" in 1959, at Golden Globe Awards.
Reunited with John Huston, Monroe starred opposite Clark Gable and Montgomery Clift in The Misfits (1961). Set in Nevada, this adventure drama features Monroe, who falls for Gable's cowboy but battles him over the fate of some wild mustangs. This was her last completed film.

In 1962, Monroe was dismissed from Something's Got to Give—also starring Dean Martin—for missing so many days of filming. According to an article in The New York Times, the actress claimed that the absences were due to illness. Martin declined to make the film without her, so the studio shelved the picture.
At the time, Monroe's professional and personal life seemed to be in turmoil. Her last two films, Let's Make Love (1960) and The Misfits (1961) were box office disappointments.

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