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Source (google.com.pk )Known as one of the first greatest “stars” of the world stage, Sarah Bernhardt, or “La Divine”, dominated the theatrical scenes of both Europe and America for over half a century. In addition to being one of the greatest actresses of all time, Sarah was also noted for her “larger than life” personality and her eccentric lifestyle.
Henriette-Rosine Bernard, known to the world as Sarah Bernhardt, was born into the Parisian world of courtesans and affluent gentlemen, 1844. She never knew her father, a Parisian who did not marry her Dutch-Jewish mother. Her mother, a woman who had little time or inclination to raise a child in the social world of the Paris salon set, sent Sarah to study in a convent. After a turbulent childhood, Sarah was ready to commit herself to a religious life when a place was secured for her to study acting in the Paris Conservatoire. She began acting in 1862 but showed little of the talent that would later propel her into stardom.
Sarah's professional career began in earnest in 1866 as a member of the theater company of the Odeon. Her most notable qualities were her “voice of gold” and her ability to breathe emotional life into melodramatic heroines, lifting the characters from their former stultifying effects of tradition, adding nobility and giving the characters a depth previously unseen. In theater after theater, Sarah excelled into stardom. By 1880, Sarah was so successful, she broke her contract in the company of the Comedie to pursue her own successes.
Sarah's off-stage life was often as harrowing as that of the characters she portrayed. Her boyish figure allowed her to portray many men characters, which was her private passion. She also suffered with bouts of ill health that had plagued her since childhood. This, plus her extravagant lifestyle, the menagerie of exotic animals she loved and a passion for younger men, kept her in financial difficulties. Journalists of the day frequently painted her as an eccentric and their writings contributed to her fame as much as her acting skill.
In 1894, Sarah Bernhardt met Alphonse Mucha. She needed a poster of a coming production Gismonda. Of the many artists who submitted works, Bernhardt chose Mucha's illustration. Mucha, a budding artist, signed a five-year contract with Bernhardt, not only for posters but for the design of many of her costumes as well. Although Mucha was not part of Sarah's close company, the two formed an odd friendship that would last well past the contract.
Sarah Bernhardt's Coffin
Sarah Bernhardt's Coffin
Bernhardt and Mucha had a mutual taste for the macabre, often holding séances in his studio with the help of a medium. Alphonse often painted vivid and grotesque scenes of death and dying. Sarah had a special upholstered coffin built, took it to Mucha's studio, and had herself photographed in it, eyes closed, arms folded, surrounded by flowers of mourning. This photograph was widely circulated and gave rise to the legend that she slept in a coffin at night. The rumor was true. When she traveled for a performance, she had her coffin delivered to her private suite. This was a smart and calculated move which added to her world fame.
Bernhardts' artistic talents extended to many different fields. She often wrote her own plays, was a competent painter and loved to create sculptures. Also to her credit, she had a weakness for humanitarian causes. During the Franco-Prussian war in 1870, Sarah established a hospital in the closed Odeon theater and in WWI she contributed both money and fund-raising activities to support the war effort.
Bernhardt took a progressive attitude towards the new medium of film. She appeared in three early silent films, enabling the producer Adolph Zukor to start the Famous Players production company, which eventually became Paramount Pictures.
Sarah Bernhardt Theatre
Sarah Bernhardt Theatre
In 1899, she opened her own resident theater, the Theater Sarah Bernhardt. In 1911, Sarah's leg had to be amputated because of a chronic knee condition. She continued to perform, in some of her most famous roles, lying in a prone position or propped up by an artfully designed set. She even converted her hotel room into a film set but she died in March 1923, at the age of 79, before the film was complete.
Although Sarah never performed any of her roles in any language but French, she was hailed and revered as a great actress on both sides of the Atlantic, regardless of her audiences' ability to comprehend the language. This popularity is a testament to her emotional and vocal power as an actress, as well as, her contribution to the stage as a truly great singular star.
Known as one of the first greatest “stars” of the world stage, Sarah Bernhardt, or “La Divine”, dominated the theatrical scenes of both Europe and America for over half a century. In addition to being one of the greatest actresses of all time, Sarah was also noted for her “larger than life” personality and her eccentric lifestyle.
Henriette-Rosine Bernard, known to the world as Sarah Bernhardt, was born into the Parisian world of courtesans and affluent gentlemen, 1844. She never knew her father, a Parisian who did not marry her Dutch-Jewish mother. Her mother, a woman who had little time or inclination to raise a child in the social world of the Paris salon set, sent Sarah to study in a convent. After a turbulent childhood, Sarah was ready to commit herself to a religious life when a place was secured for her to study acting in the Paris Conservatoire. She began acting in 1862 but showed little of the talent that would later propel her into stardom.
Sarah's professional career began in earnest in 1866 as a member of the theater company of the Odeon. Her most notable qualities were her “voice of gold” and her ability to breathe emotional life into melodramatic heroines, lifting the characters from their former stultifying effects of tradition, adding nobility and giving the characters a depth previously unseen. In theater after theater, Sarah excelled into stardom. By 1880, Sarah was so successful, she broke her contract in the company of the Comedie to pursue her own successes.
Sarah's off-stage life was often as harrowing as that of the characters she portrayed. Her boyish figure allowed her to portray many men characters, which was her private passion. She also suffered with bouts of ill health that had plagued her since childhood. This, plus her extravagant lifestyle, the menagerie of exotic animals she loved and a passion for younger men, kept her in financial difficulties. Journalists of the day frequently painted her as an eccentric and their writings contributed to her fame as much as her acting skill.
In 1894, Sarah Bernhardt met Alphonse Mucha. She needed a poster of a coming production Gismonda. Of the many artists who submitted works, Bernhardt chose Mucha's illustration. Mucha, a budding artist, signed a five-year contract with Bernhardt, not only for posters but for the design of many of her costumes as well. Although Mucha was not part of Sarah's close company, the two formed an odd friendship that would last well past the contract.
Sarah Bernhardt's Coffin
Sarah Bernhardt's Coffin
Bernhardt and Mucha had a mutual taste for the macabre, often holding séances in his studio with the help of a medium. Alphonse often painted vivid and grotesque scenes of death and dying. Sarah had a special upholstered coffin built, took it to Mucha's studio, and had herself photographed in it, eyes closed, arms folded, surrounded by flowers of mourning. This photograph was widely circulated and gave rise to the legend that she slept in a coffin at night. The rumor was true. When she traveled for a performance, she had her coffin delivered to her private suite. This was a smart and calculated move which added to her world fame.
Bernhardts' artistic talents extended to many different fields. She often wrote her own plays, was a competent painter and loved to create sculptures. Also to her credit, she had a weakness for humanitarian causes. During the Franco-Prussian war in 1870, Sarah established a hospital in the closed Odeon theater and in WWI she contributed both money and fund-raising activities to support the war effort.
Bernhardt took a progressive attitude towards the new medium of film. She appeared in three early silent films, enabling the producer Adolph Zukor to start the Famous Players production company, which eventually became Paramount Pictures.
Sarah Bernhardt Theatre
Sarah Bernhardt Theatre
In 1899, she opened her own resident theater, the Theater Sarah Bernhardt. In 1911, Sarah's leg had to be amputated because of a chronic knee condition. She continued to perform, in some of her most famous roles, lying in a prone position or propped up by an artfully designed set. She even converted her hotel room into a film set but she died in March 1923, at the age of 79, before the film was complete.
Although Sarah never performed any of her roles in any language but French, she was hailed and revered as a great actress on both sides of the Atlantic, regardless of her audiences' ability to comprehend the language. This popularity is a testament to her emotional and vocal power as an actress, as well as, her contribution to the stage as a truly great singular star.
Known as one of the first greatest “stars” of the world stage, Sarah Bernhardt, or “La Divine”, dominated the theatrical scenes of both Europe and America for over half a century. In addition to being one of the greatest actresses of all time, Sarah was also noted for her “larger than life” personality and her eccentric lifestyle.
Henriette-Rosine Bernard, known to the world as Sarah Bernhardt, was born into the Parisian world of courtesans and affluent gentlemen, 1844. She never knew her father, a Parisian who did not marry her Dutch-Jewish mother. Her mother, a woman who had little time or inclination to raise a child in the social world of the Paris salon set, sent Sarah to study in a convent. After a turbulent childhood, Sarah was ready to commit herself to a religious life when a place was secured for her to study acting in the Paris Conservatoire. She began acting in 1862 but showed little of the talent that would later propel her into stardom.
Sarah's professional career began in earnest in 1866 as a member of the theater company of the Odeon. Her most notable qualities were her “voice of gold” and her ability to breathe emotional life into melodramatic heroines, lifting the characters from their former stultifying effects of tradition, adding nobility and giving the characters a depth previously unseen. In theater after theater, Sarah excelled into stardom. By 1880, Sarah was so successful, she broke her contract in the company of the Comedie to pursue her own successes.
Sarah's off-stage life was often as harrowing as that of the characters she portrayed. Her boyish figure allowed her to portray many men characters, which was her private passion. She also suffered with bouts of ill health that had plagued her since childhood. This, plus her extravagant lifestyle, the menagerie of exotic animals she loved and a passion for younger men, kept her in financial difficulties. Journalists of the day frequently painted her as an eccentric and their writings contributed to her fame as much as her acting skill.
In 1894, Sarah Bernhardt met Alphonse Mucha. She needed a poster of a coming production Gismonda. Of the many artists who submitted works, Bernhardt chose Mucha's illustration. Mucha, a budding artist, signed a five-year contract with Bernhardt, not only for posters but for the design of many of her costumes as well. Although Mucha was not part of Sarah's close company, the two formed an odd friendship that would last well past the contract.
Sarah Bernhardt's Coffin
Sarah Bernhardt's Coffin
Bernhardt and Mucha had a mutual taste for the macabre, often holding séances in his studio with the help of a medium. Alphonse often painted vivid and grotesque scenes of death and dying. Sarah had a special upholstered coffin built, took it to Mucha's studio, and had herself photographed in it, eyes closed, arms folded, surrounded by flowers of mourning. This photograph was widely circulated and gave rise to the legend that she slept in a coffin at night. The rumor was true. When she traveled for a performance, she had her coffin delivered to her private suite. This was a smart and calculated move which added to her world fame.
Bernhardts' artistic talents extended to many different fields. She often wrote her own plays, was a competent painter and loved to create sculptures. Also to her credit, she had a weakness for humanitarian causes. During the Franco-Prussian war in 1870, Sarah established a hospital in the closed Odeon theater and in WWI she contributed both money and fund-raising activities to support the war effort.
Bernhardt took a progressive attitude towards the new medium of film. She appeared in three early silent films, enabling the producer Adolph Zukor to start the Famous Players production company, which eventually became Paramount Pictures.
Sarah Bernhardt Theatre
Sarah Bernhardt Theatre
In 1899, she opened her own resident theater, the Theater Sarah Bernhardt. In 1911, Sarah's leg had to be amputated because of a chronic knee condition. She continued to perform, in some of her most famous roles, lying in a prone position or propped up by an artfully designed set. She even converted her hotel room into a film set but she died in March 1923, at the age of 79, before the film was complete.
Although Sarah never performed any of her roles in any language but French, she was hailed and revered as a great actress on both sides of the Atlantic, regardless of her audiences' ability to comprehend the language. This popularity is a testament to her emotional and vocal power as an actress, as well as, her contribution to the stage as a truly great singular star.
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Ecard Free Funny Vlentines Day Cards Tumblr Day Quotes Pictures Day Poems Day Memes Poems
Ecard Free Funny Vlentines Day Cards Tumblr Day Quotes Pictures Day Poems Day Memes Poems
Ecard Free Funny Vlentines Day Cards Tumblr Day Quotes Pictures Day Poems Day Memes Poems
Ecard Free Funny Vlentines Day Cards Tumblr Day Quotes Pictures Day Poems Day Memes Poems
Ecard Free Funny Vlentines Day Cards Tumblr Day Quotes Pictures Day Poems Day Memes Poems
Ecard Free Funny Vlentines Day Cards Tumblr Day Quotes Pictures Day Poems Day Memes Poems
Ecard Free Funny Vlentines Day Cards Tumblr Day Quotes Pictures Day Poems Day Memes Poems
Ecard Free Funny Vlentines Day Cards Tumblr Day Quotes Pictures Day Poems Day Memes Poems
Ecard Free Funny Vlentines Day Cards Tumblr Day Quotes Pictures Day Poems Day Memes Poems
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